aharen-san wa hakarenai anime episode 1
Synopsis
Beginning his first year of high schoolhouse, all Matsuboshi Raidou wants is to make friends—starting with the beautiful, tiny, and soft-spoken Reina Aharen, who sits correct adjacent to him in class. Unbeknownst to Raidou, Reina shares the same sentiment, merely she has a problem. Awkward and timid, Reina is incapable of determining how chummy she has to exist when approaching a person.
Due to Reina'southward consummate inability to gauge personal space, the two struggle to spark their unlikely friendship, as even the simplest tasks similar talking seem impossible for them. But despite the endless notwithstanding pointless challenges that hinder the pair, the overly imaginative Raidou will do whatsoever it takes to befriend the indecipherable Reina.
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Jun 17, 2022
Aharen-san wa Hakarenai is Komi-san wa Comyushou desu if it wasn't trying, and even that show only actually tries for a single episode. It's a schoolhouse-life gag one-act where every character is a joke, and none of them are funny. Every character is introduced and you unenthusiastically realize, "oh…there'due south a punch line coming here, isn't there?" Then it comes and yous go, "oh…I guess that was it?" And the respond is always yeah, and it always makes yous roll your eyes or simply yawn. Komi-san wa Comyushou desu has a thematic core in the thought that appearances can exist deceiving, and despite what you lot ... may think near someone based on their looks, their social status, and the assumptions which you may exist lead to make about them based on those things, anybody has bug, and you're never alone in your feelings of anxiety and self-uncertainty. It has a cast of contemporary characters, but each i—whether you find them funny or not—is thematically relevant because they each display an archetype which they later continue to subvert, thus reinforcing the idea that much similar Komi, the stunning dazzler who everyone admires yet who has paradoxically no self-confidence and no friends, everyone is a volume whom y'all cannot judge past the cover. This show, however, is about nothing, and no thing how many scenes of forced sentimentality and pianoforte music it throws in to attempt and flim-flam you into thinking it's about something emotionally worthwhile or any of its characters are growing or irresolute, this is non and is never the case. Actually, that terminal bit isn't truthful. The characters do abound and alter, but merely later on the entire show undergoes a dramatic yet ultimately underwhelming evolution and becomes something totally different than it was at the start. For the first major chunk of the show, everything I simply said is true, and it feels like an uninterrupted stream of Vines, or Snapchats, or TikToks, or any dystopian Chinese social media network you people apply present. Everything that happens just feels like an attempt at generating stale memes. Aharen is just another #smol anime girl for people to farm terabytes of reaction images out of, and Raido, the MC, is just another expressionless meme boy. It only feels so condescending to me, because non only does information technology come beyond as an insult to my intelligence, just it also comes across as actively standing in for basic elements of the production. This show is generally boring and ugly, and while that's aught new with modernistic seasonal anime, at least others volition market themselves with more benign shit similar fanservice or waifubait, not this embarrassing meme garbage. From the atrocious CG classmates to your usual dogshit backgrounds and hideous colors, this evidence suffers class everything modern anime are constantly accused of suffering from, and its clunky product eats into the script as well, because zilch makes a bad joke land even worse than being accompanied by the single most obnoxious "funny music" you've ever heard. I'd be lying if I said it didn't hit that perfect Nichijou-style sweet spot every once in a while, where the sheer suddenness and absurdity of the concrete comedy actually catches you lot pleasantly past surprise, but in that location's hardly enough of these moments to justify enduring the slog. However, somewhere forth the line, things change, and while the alter is certainly for the better, it doesn't save the show, and information technology just feels annoying in retrospect. For the longest time, the opening theme felt totally inappropriate, because while the show itself was nothing but a lifeless meme manufactory, the OP felt like something yous'd see for a more typical romantic comedy, not and then much a gag comedy. It's all pinkish and smashing, and information technology actually suggests to you that the chief duo are going to become love interests. Just then you watch the show and it's completely dry. At that place's no romantic or sexual tension of any kind, and, at least at the time, this was the only thing almost the show I actually liked. I mean, just recollect well-nigh how many highschool anime y'all've seen where unabridged episodes are dedicated to characters blushing and feeling embarrassed nigh making eye contact or having whatever concrete interaction with the reverse sex. For many of u.s., there are probably hundreds of examples, so seeing Aharen and Raido conduct fucking circus acts all over each other was extremely refreshing. As the show began approaching its final episodes, though, the dryness faded away; characters who were once totally ane-note memes began to act more generic and normal; the physical comedy got less overblown and absurdist; and before I knew it, the OP actually started feeling appropriate. There was blushing as early equally episode seven, but I didn't really take that equally a alter in tone, because non only were they notwithstanding all over each other at that point (in a way that seemed to invalidate the "I love yous, then I'grand embarrassed to impact yous" bending), but the characters up until that point had been fucking memes, so the idea of the show toning itself down and blossoming into a romance just felt bizarre. When Aharen kisses Raido out of fucking nowhere in episode ten, I just threw my easily up and said, "But yous didn't earn this?!" It's not until episode nine when Raido meets Aharen'due south sis that anyone really starts seriously implying whatsoever romantic intrigue in a mode that's explicitly disconnected from the jokes, and before you know information technology you're watching an uglier, more poorly directed version of Kimi ni Todoke or something. At the end of the day, there are even so jokes—comedy still exists in "romantic comedies," after all—but the tone and attitude the serial begins with is completely different than the tone and attitude it ends with, and by far the worst thing nearly this is that after the evolution occurs, the evidence is so much improve! I hateful, information technology'due south just a generic romcom, simply it has beautiful, endearing moments, and if you actually enjoyed the lifeless meme manufacturing plant episodes and therefore actually liked the characters, and then I imagine this change in tone must've been truly cathartic. The one single moment which best encapsulated this feel of fully comprehending and wrapping my head around how the show had changed was during the final episodes when these two characters who, upward until this indicate, had been nameless, faceless, indistinct non-characters that would react to Aharen and Raido's wackiness every at present and so just of a sudden became role of the friend group. When the iv of them went camping, it really threw me for a loop. I was like, "why are they here?" And yes. Why WERE they in that location? When did they all get friends? Whatever the answers to those questions are, they became function of the group, and in episode eleven, just the two of them finally got to have a real conversation in the cafe when Raido walked away and Aharen was passed out on the table, and that scene pissed me off so much. WHY DID It TAKE ELEVEN EPISODES FOR THIS TO HAPPEN?! Why did nosotros spend episode after episode afterward episode subsequently episode doing God damn fucking FORTNITE DANCES and #epic memes when we could've been watching a existent show with real characters?!?! Please recollect, I'1000 totally overselling this, because it'due south like I said earlier. It didn't become a masterpiece or anything. It just became a generic romcom. But AT Least THE GENERIC ROMCOM WAS WATCHABLE! Gosh, the frustration makes me want to pull my hair out. I'm deplorable, only I cannot recommend this show at all. The later episodes are decent even though Raido remains an absolutely nada character, just it is not worth watching the first phase of the show to achieve that point, because information technology only improves enough to be mediocre. That scene in the buffet with the 2 friend characters was such a fucking tragedy, because information technology's easily the best dialogue scene in the unabridged show. Raido got up to go take a shit or something, and then information technology cut to just the 2 of them sat side by side to each other in the booth, and that alone was enough to throw me off, considering the guy turned his head and looked at the girl to speak to her direct. Understand what I'thousand saying here. These ii have been nothing but cardboard reaction faces the whole show. Pretty much every shot of them is just their faces looking off screen, commenting on what Raido and Aharen are doing. Just this time he finally looked at her every bit if she was real, and he spoke equally if he was real. They conversed, we learn they were childhood friends, he teases her a bit, and information technology was cute. Before I could fifty-fifty get mad about having been robbed of this for then long, I first had to take a footstep back and realize, xi episodes in, that I notwithstanding didn't even know their names. Indeed, I however don't. Thank you lot for reading.
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Jun 17, 2022
I started watching the series considering the main graphic symbol looks like Kanna, I keep watching it because of Raidou's antics, and I ended up witnessing an emotionally relatable ride through the personal growth of two characters that I could not but cheer for. During its 12 episodes, Aharen-san Is Indecipherable delivers an honest yet comical representation of awkward socialization, portraying how the flaws and abnormalities outlines the beauty of human relationships. The forcefulness of its routine, the constant usage of popular references, the coherence of its foundation, the texture of the cognitive distortions, the weight of the self-honey messages, each chemical element fuses to create a ... healthy and positive experience that portrays an engaging journey of honest friendship and relatable small conflicts betwixt a charismatic and unforgettable cast Each episode of the series follows a similar structure, where the viewer assimilates the experiences of Raidou, a socially distant guy whose mission is to connect with someone in Loftier Schoolhouse simply overthinks any situation that he is in (Awfully accurate social anxiety btw), and his relationship with Aharen, a timid character that barely expresses herself as she is agape of being too invasive because of her past experiences. While both are the predominant figures of the series, the anime also tends to switch from Raidou's perspective to the point of view of different characters that comprehend dissimilar stages of life or social cliches, like an intensively romantic instructor that gets heated by their human relationship, an elementary schoolgirl called Futaba that sees Aharen as her rival, a nervous and awkward childhood friend who stalk Aharen, or plain standard classmates who portray an ordinary read of their relationship. The attachment to the structure brings ane of the strengths of the anime, the story trusts the premise. Aharen as a grapheme is permanently subject field to the perspective of each one of the characters, bringing to life the idea of being truly indecipherable to them. Each perspective forms a new source of relatability, a new layer of human being irrationality and incomprehension, delineating a diverse empathetic array of emotions and experiences. The dialogue, the behavior, the gestures, everything comes from observing the real-life extension of each character, portraying both the ugly and the desired, creating clumsiness, condolement, and business organisation, as it can transgress the own viewer experiences. The siblings act like siblings, the friends human activity like friends, the kids deed like kids, Aharen is Aharen, Raidou is Raidou, it is as simple and powerful equally that. The outcome of this trust to the premise and the attachment to reality is an experience that has a unique sense of life and personality, a journeying through the connectedness between Aharen and Raidou, where each perspective represents a articulate and engaging identity, where the viewer is allowed to do interpretations well-nigh the relationships, reflect on the characters decisions and its roots, and fifty-fifty develop a ameliorate understanding of themselves. The anime delivers a human mystery that is carefully revealed as the story progresses, it allows surprising turns and healthy inferences, information technology delivers a human voice that is not trying to escape or excuse the flaws of each character but search the dazzler on their core. The beauty of insecurity, the courage of a first step, the love of a let it go. However, the principal force from the anime is how information technology portrays everything through comedy. One of the potential criticisms that could ascend from this anime is that the gags are repetitive, as they follow a transparent pattern for each character. The wrongness of such idea is that it abstracts the details, as the formats are nix but simple templates that allows the generation of a various set of jokes (Like any other comedy, by the way). Indeed, while the patterns are prevalent, the reiteration of them should non be an event at all, because the comedic blueprints are constantly evolving for the purpose of surprising the viewer with a new grade. The comedy never overstays its welcome, information technology is always striving for new elements that could bring multifariousness. The main example of such evolution is Raidou'south overthinking. The overthinking unremarkably follows the "Raidou run across thing -> Raidou overthinks that thing -> Reality is disappointing" menstruation, just the content and the punchline of each inference vary enough to keep it completely fresh, creating a memorable gag that past just existing delivers something, be it frustration, be it amusement, exist it tension. How does the overthinking vary? The overthinking variations come from changing the placement of the joke itself. Sometimes the dial is the thought itself, a conclusion completely derailed from reality that but lead to believe that Raidou should seek a psychiatrist, sometimes the punch is the outcome of a mirage, the reaction of Raidou to the impending reality thwarting, sometimes the punch is a reference, how Raidou utilize popular fiction to parallelize his fantasies or create a social commentary on credit for apparently no reason, or sometimes the gag is not even a joke, it is just a honest representation of how Raidou cares about Aharen and his friends. The gag itself creates expectations, can Raidou exist correct in one case? How incorrect is Raidou in this i? The diversity and similarity let the comedy to be fantastic, information technology uses the gags to approach multiple concepts supported past a careful study of the comedic gene of each thought, a fantastic sense of how to build up elements on acme of another to create hilarious outcomes and generate iconic gags. How to make a joke about Raidou carrying Aharen funny? Evangelize a bunch of frames that represent an absurd extent of Raidou's extrapolation and put an unexpected moustache on an elderly Aharen. How to make a joke about Raidou beingness bad at pond funny? Deliver the nearly typical technical fault of novice swimmers after a juxtaposition to Raidou's relatable perception of motility. How to make fun of Raidou's failed youtube channel? But display a capture of the video statics of Raidou's past venture to accompany Raidou's concerns. The anime is overflowing with visual jokes that are both clever and carefully inputted, whether it is to stop a crescendo of absurdity or to play with the expectations of the viewers or illustrate the characters wild imagination. It is smart. If the anime just had the comedy as its primary strength, then it would exist an excellent anime, but it goes beyond that. Every bit the serial progresses through each one of its gags, the characters quirks coherently evolve into their development, defining their own ambitions and insecurities, elaborating a rich characterization that allows both dramatic and hilarious moments to menstruum without friction. Raidou's overthinking develops his genuine caring nature and his own anxieties, Aharen'due south supposed indecipherability allows herself to limited her insecurities naturally, Ooshiro's protective anxiety develop into a wonderful read of self-esteem issues, Futaba's childish perception of love and confrontative attitude develop into a character that you lot cheer for. The peculiarities of each grapheme progressively evolve into an interesting and unique singular entity, information technology allows the audience to care for the characters beyond their ain comedic personality as they are the same person whether information technology is light-hearted comedy or a serious matter. The effect of this consistency is that information technology allows piecing together meaningful letters and themes, themes that could be felt shoehorned if it were non because of its excellence on the characterization section. From helping each other to being able to receive help; from embracing with pride the uniqueness of each one to being able to accept the diversity; from the importance to be confident on our own abilities to the importance of being able to limited our own sentiments and concerns. Each character is cleverly attached to the letters that information technology is trying to portray, information technology creates a natural path to organize romance, comedy, and a meaningful and positive purpose. There is no demand to display bland or uninteresting scenes where they explicitly state the purpose of the situation, instead, it delivers weighty ideas with emotional subtlety by adopting its feature identity, and it makes you care for it. Engaging entertainment, the show delivers the relaxing and healing atmosphere while portraying impactful ideas. As it creates meaningful messages and portrays interesting relationships, one of the issues that could sally from the comedy is a lack of sensibility towards some subject matters. Fantastically enough, that does non happen. A character of this series uses the clothes from his sister, but the series goes out of its way to clarify that it is not an upshot and that the joke was just Raidou's estimation by calculation a beautiful later on credits. Raidou's get fat, but the joke is non his obesity, it is Aharen's incapability of telling him that he looks fatter considering she was the one who did the overthinking this fourth dimension. It is sensible and aware of what it is trying to portray, and that is wonderful. While ane tin can criticize the quality of the adaptation, principally by its extensive usage of jarring CGI or its off-model characters, my argument is, who the fuck cares. The anime perfectly captures elements that some other adaptations with extravagant and bombastic animation just can't, it captures the common care of Raidou and Aharen, the dramatic twists of Raidou overthinking, the enthusiasm of Aharen's classmates, the clumsiness of the teachers. The comedic aspect works perfectly because the timing is polished, it is one second virtually to autumn off the cliff and being unfunny, which is the downfall of enough comedy adaptations, but information technology but performs spectacularly in that regard. The romantic aspect evokes a potent aura and sensibility, manifestly owing to the great label, simply too to how it gives itself the time to fully capture the tension and importance of the moment, the gestures of the hands, the head movements, the voice pauses, they are just enough to convey the intended idea and capture the viewer. Could it be better? Of course, only I honestly adopt having an extremely horrendous Pokemon-like battle that captures the point of the joke and develop the FEAR reference instead of having a full-blown action scene that simply completely ignore the purpose of the scene and just ends upwardly being praised by redditors and easily impressionable people. Aharen looks Futaba for 3 seconds, tilts her head to await Raidou for 3 seconds, and so watches the floor for 3 seconds in dismay, to so get embarrassed by an elementary schoolgirl observation, that tells a fucking lot without whatever sort of ridiculous paraphernalia, go existent people. Aharen-san is and then just a fantastic experience with a lovely and refreshing thematic approach to romance and friendship betwixt flawed and socially bad-mannered characters. The comedy works perfectly if you let yourself menses with it, as there is intendance of each meaningful item, and the series follows stiff necessity to brandish the facets of cognitive distortions. The anime doesn't derail into fantasy and search the beauty on its ain cores, and as such, is able to create meaningful relationships with characters that will grow on the viewer over time. It is extremely funny, convey relevant and captivating messages, it is a unique voice, information technology surprises you, the romance is cute, and information technology has a gilt retriever that remember things, what else do you lot need? "Even if we ended up in dissimilar classes, there are all kind of people. Not merely in the school, simply in the globe. A lot of good people. People y'all can go to know. I'grand sure of it"
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Jun 17, 2022
This is hands ane of the funniest anime I have come across in a while. Information technology is a little funny that I like this and so much because I wasn't the biggest fan of the series when I showtime picked information technology upward. Something most watching this made me realise merely how great Aharen-san wa Hakarenai is.
It's a gag comedy well-nigh ii strange people doing strange things in the most normal mode (at that place are other strange people likewise). It's hilarious. The number of times this anime tin can create a scenario for the main two and elevate it into surrealism is seemingly neverending. I do find myself laughing ... at a lot of things, but Aharen-san is a little different, with information technology being able to make me laugh more than than other comedies accept made me do then. The contrast between everyday life and simply downright nonsense is not to exist underestimated. Similar, who the hell thinks doing a spider-man in the corner of the classroom is a good idea? But it is funny because no i seems to give ane, as well as it being in the assortment of choices for these two. But wouldn't you know? They are strange people in gag humor. Lol… I'd imagine people would exist *very* quick to betoken out how this is generic or some "criticism" similar that. I'd debate that is non (entirely) the instance with Aharen-san. Sure, the usual plots used in episodic anime do find their way to the anime, but it'south not like Aharen-san then became devoid of what makes it practiced in the first place. It just uses its skill to create something with a touch of itself. So fifty-fifty if it did indeed lack plot originality, the quality of this show is just amazing anyway and information technology still feels like you are watching Aharen-san wa Hakarenai instead of some rip-off of a 2015 school comedy or any. The main ii are something that I like quite a bit too. The relationship doesn't accept a bias on one of the two, you lot know the ane, the whole "everyone cares almost her more than him" sometimes vice versa, or in other words, one character beingness more interesting/important than the other. We have Aharen, the one with terrible distance comprehension, and Raidou, the i who overthinks literally annihilation beyond belief. The chemistry between them just goes through the roof. In addition to making everything, they practise mode funnier and more than enjoyable than the norm. Information technology's a relationship that makes sense, ane that you desire to see bloom into something more meaningful and more wholesome because these two are merely meant for each other. Who doesn't like sweet stuff similar that? A little on the side characters, whilst the attending isn't focused on them, I did observe it that they are respectable people besides. For example, Ishikawa and Satou deport like genuine people in this moderately foreign globe, to the funniest of the lot Toubaru-sensei (anoint her) who, well, does the most astonishing gags. So hey, there'south more to love here. I don't actually have much else to say honestly, I've said everything that needed to be said. The story of this whole thing is just well… everyday life, an absurd one at that. This is easily the best thing in the season of Jump 2022 likewise, so another good feat to bespeak out if you want to go and watch this. It's dainty to encounter this get a pretty skillful adaptation too although I gauge everyone anticipated this would happen soon with other similar titles getting the anime spotlight.
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Source: https://myanimelist.net/anime/49520/Aharen-san_wa_Hakarenai
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